The curiosity in a disconnection in connection with our being through an understanding of the feeling playground. Feelings in connections with our words and actions as one, instead of a separation in being.

The art of the whole space is made of particles that can limit its full experience and expression in that when we are attached to a field like feelings, we can sit in the essence of the feeling instead of allowing the flow of feeling in being. Being said, the art in the whole expression is realising that feelings are a playground, as are emotions, as is physical, mental, spiritual, masculine, feminine let alone a coffee or family experience.

I am adventuring down the masculine dominance in play and the feminine expression in play in reflection of its experience, or is it suppression verse vulnerability? I am going to go with suppression verse vulnerability for this moment.

Witnessing our play in our being, we can often observe our words and actions which can be suppressing our feelings, yet we can only recognise our full expression when we are open to all fields of play. When working in processes and structured environments, pretty much life, it can be overcome by evidential ways to play, in this and we disconnect from our own being in play and the feeling playground becomes filtered by what I would call a roller door of protection in expression, in that we can dismiss having to deal with, as we have convinced our self we understand it and justify it through processes or structures.

Often many of us have created the roller door philosophy from a very young age in protection with dealing with our feelings or emotions. As much as feelings and emotions seem to reveal themselves as the same playgrounds, just as they identify in word difference, so do they in energy playgrounds of consciousness. Literally all is one yet independently an expression of it all with a flair of perspective in its expression. I liken it to a label or even our name, an identity. Identity has many fragments in experience, in that it gives us an understanding of itself in expression yet at the same time it fragments itself from the whole, for as soon as we think it, we make it so and it was nothing before we made it.

Many of us have nulled the ability to feel it all because it reveals a vulnerable aspect of our self in which we may feel a weakness to be seen. Yet vastly what many see as a weakness is the strength in our being in that we bring to an awareness of expression, the flow of all the expressions in our experiences which are offered in the whole field. An art in play would allow this expression to be as it is, come, express and be as it plays, yet offers us the ultimate experience of its presence in that moment.

In reference to the feeling playground, in which we all feel, yet in many depths of awareness, attachments, vulnerability or suppression I think to personally understand how it plays for each one, is a subject to identifying within our own vulnerability in being truthfully honest with where we know our self in this moment for who we are and who we are not, yet funnily enough we are all of it, and how we see it, so it is.

To play in the whole field is not limiting a field or way in being. Once we formulate a way to play we have now consolidated it to a limited source in being. Just as I have in a way that I am delivering this.

It is really the curiosity that plays in the moment that reveals to me the depth of feeling is only known by the depth in living, in that the depth of knowing that becoming nobody is just as powerful than that of becoming somebody! Its if we could put into words it would be a continuous tap, a flow of water, every drop among the flow is as separated as we make it, yet fully in flow of its expression. Whether we turn the tap off to the flow, is purely like a reflection in experiencing feelings, in that, once we turn the tap it can formulate pressure and build up and burst the pipes.

How many of us are living in not feeling, or suppressed feelings, or attached in our feelings, stuck in the playground of feelings, or flowing the vulnerability of the feelings as it plays? r